{"product_id":"sony-cinema-line-fx5-full-frame-cinema-camera-with-xlr-handle-unit-ilmefx5-247106","title":"Sony Cinema Line FX5 Full-frame Cinema Camera with XLR Handle Unit - ILMEFX5","description":"\u003cp\u003eProduct Details\u003cbr\u003e\nSony ILMEFX5B Cinema Line FX5 Full-frame Cinema Camera (Body Only)\u003cbr\u003e\nLighting a creative path, the FX5 empowers filmmakers to step confidently into the next stage of their professional journey. Bringing an advanced cinema look and refined operability together in a compact body, it gives creators the freedom to realize their vision with greater precision, control, and expressive potential.\u003cbr\u003e\nFeatures\u003cbr\u003e\n5K full-frame fully-stacked Exmor RS™ CMOS sensor\u003cbr\u003e\nThe full-frame stacked Exmor RS CMOS sensor enables fast readout for high-resolution, high-frame-rate recording. Wide latitude and low noise ensure smooth gradation and natural textures, even in high-contrast scenes.\u003cbr\u003e\nBIONZ XR2™ with integrated AI processing\u003cbr\u003e\nThe BIONZ XR2 engine delivers dramatic improvements in image, sound, communication, operation, and more. Built-in AI processing enables enhanced subject recognition1 and deep learning-based Auto Tracing White Balance (ATW), helping you shoot with confidence.\u003cbr\u003e\nOpen Gate\u003cbr\u003e\nThe FX5 offers full-frame Open Gate recording2 — a first4 in the Cinema Line FX series. With 5K up to 60 fps (FF 3:2), 4K up to 120 fps (FF crop) 5 and more, it gives you the freedom to adjust framing, speed and workflow to realize even the most ambitious vision.\u003cbr\u003e\nInternal X-OCN compressed RAW\u003cbr\u003e\nCapture 16-bit scene-linear X-OCN internally6,7,8, eliminating the need for an external RAW data recorder. With LT, C1 and C2 codecs, you can balance image quality, file size and RAW workflow flexibility to suit the production.\u003cbr\u003e\nThree Base ISO\u003cbr\u003e\nThree Base ISO settings - a standard ISO 800, a mid-sensitivity ISO 4000, and a high-sensitivity ISO 128009 for low light - are available to match your shooting environment. Capture clean shadows and wide latitude across varied lighting conditions, for consistently stunning clarity.\u003cbr\u003e\n15+ stops of latitude\u003cbr\u003e\nWide latitude helps capture highlight and shadow detail with smooth, natural gradation. Low shadow noise preserves clarity, texture and atmosphere, letting you push your creative grading choices further.\u003cbr\u003e\nDual Gain\u003cbr\u003e\nDual Gain Shooting maximizes latitude while reducing noise to enhance shadow details11. Making full use of the sensor’s capability, it delivers smooth, natural gradients for greater editing flexibility.\u003cbr\u003e\nHigh-frame-rate capture\u003cbr\u003e\nHigh frame rates open up striking slow-motion possibilities. The FX5 records up to 5K at 60 fps5 and 4K at 120 fps5, giving creators the power to capture fast-paced action with impressive detail and clarity — ideal for everything from cinematic storytelling to sharp sports and documentary footage.\u003cbr\u003e\nPrecise, reliable AF and tracking\u003cbr\u003e\nWith built-in AI processing, the BIONZ XR2 engine accurately recognizes human, animal, and bird eyes (Real-time Eye AF) 1 . Fast Hybrid AF uses up to 759 points13 to ensure accurate focus and tracking that keeps up with quick-moving subjects, even in dark scenes and when shooting with a shallow depth of field.\u003cbr\u003e\nBuilt-in desqueeze for anamorphic shooting\u003cbr\u003e\nBuilt-in de-squeeze support makes anamorphic shooting easier on set. With 1.3x, 1.5x, 1.6x, 1.8x and 2.0x settings, the FX5 works smoothly with a wide range of anamorphic lenses.\u003cbr\u003e\nDeep learningbased illumination estimation\u003cbr\u003e\nDeep-learning-based illumination estimation achieves unprecedented Auto Tracing White Balance (ATW) accuracy, even in challenging scenes. It delivers accurate color reproduction even under lighting conditions that previously tended to cause color cast.\u003cbr\u003e\nS-Cinetone™\u003cbr\u003e\nS-Cinetone brings Sony cinema color science to the FX5, delivering natural skin tones, smooth gradation and a polished look straight out of camera.\u003cbr\u003e\nWide-gamut color\u003cbr\u003e\nWith color gamuts exceeding both BT.2020 and DCI-P3, SGamut3 and S-Gamut3.Cine retain broad color information for more precise grading and easier color matching with VENICE 2 in multi-camera shoots.\u003cbr\u003e\nThree S-Log3 modes\u003cbr\u003e\nFrom cinematic shoots to run-and-gun, choose Cine EI, Cine EI Quick or Flexible ISO14 to capture imagery with maximum latitude. You can also import up to 16 user LUTs15 allowing you to easily monitor the intended look in real-time.\u003cbr\u003e\n5-axis stabilization\u003cbr\u003e\nA precision stabilization unit and gyro sensors combine to provide optical 5-axis in-body stabilization. An enhanced stabilization unit expands the roll-direction compensation range by up to 2x, effectively reducing handheld roll shake16. Dynamic active Mode17 adds extra electronic support, and embedded stabilization metadata can also be used in post-production18 for a more controlled final result.\u003cbr\u003e\nLightweight, compact design for agility on set\u003cbr\u003e\nThe compact flattop body and stable grip are built for comfortable handheld work. Paired with Sony's compact lenses, the FX5 becomes a mobile system for flexible shooting with gimbals, in tight spaces and in fast-moving productions.\u003cbr\u003e\nHigh-quality 96 kHz\/32bit float audio recording\u003cbr\u003e\nThe XLR handle unit19 supports two XLR\/TRS inputs, a 3.5 mm stereo mini jack and up to 96 kHz\/32bit float audio recording. With up to four channels of high-quality capture, it also supports independent 32bit float WAV recording alongside video audio for more flexible on-set sound workflows.\u003cbr\u003e\nBIG6 (HOME) screen for faster on-set control\u003cbr\u003e\nInherited from Sony’s high-end CineAlta cameras, the BIG6 (HOME) screen brings six essential settings — frame rate, EI\/ISO\/Gain, shutter, iris, LUT and white balance — together on one clear home screen for faster operation. Touch control, the multi-function dial, and CineAlta Fixed\/Variable frame-rate control help crews work quickly while keeping critical settings visible at a glance.\u003cbr\u003e\nOptional OLED viewfinder DVFEL1 for easier outdoor monitoring\u003cbr\u003e\nAdd the optional OLED viewfinder20 for more immersive monitoring in bright locations. Its 3.5-type panel features approx. 7.07 million dots, DCI-P3 equivalent color gamut, 10-bit display, HDR monitoring support, and 0.90x magnification39, while the 0°-90° tilting design and selectable display modes help adapt monitoring to different shooting styles.\u003cbr\u003e\nMonitoring support for precise shooting\u003cbr\u003e\nExposure and focus tools, including Waveform Monitor, Histogram, False Color, and Focus Map, support faster judgments on set. They help you manage highlights, shadows, skin tones and critical focus with confidence21.\u003cbr\u003e\nClear Image Zoom for smoother, more intuitive framing\u003cbr\u003e\nClear Image Zoom adds a [Smooth Priority] mode22 that enables seamless zoom from the optical wide end up to 2x digital zoom23. [Optical Zoom Priority] is a zoom mode that prioritizes image quality. After the optical zoom reaches its telephoto end, Clear Image Zoom takes over. Seamless zooming can also be controlled from the zoom ring on compatible lenses for more intuitive, consistent framing.\u003cbr\u003e\nDual CFexpress Type A\/SD card slots for flexible media workflows\u003cbr\u003e\nDual CFexpress Type A24 slots support relay, simultaneous, and separate recording while also accepting SDXC (UHS-II\/UHS-I) cards. Main and proxy files can be recorded to different slots, giving productions more flexibility in media choice, backup strategy, and file handling.\u003cbr\u003e\nPower that keeps pace with long shoots\u003cbr\u003e\nA high-capacity 2670 mAh NP-SA10025 battery can provide up to 170 minutes26 of recording time. Optimized power management, improved charging speed27, USB Power Delivery28 and battery condition display help simplify longer shooting days and make it easier to judge when battery replacement may be needed.\u003cbr\u003e\nCooling designed for uninterrupted up to 170 minutes29 of recording\u003cbr\u003e\nAn efficient fan cooling system and advanced design deliver up to 3x40 the airflow, keeping the camera cool even when the LCD monitor is closed. Three fan modes [Auto], [Minimum] and [OFF in REC] let you balance cooling and operational noise to suit the environment and the production.\u003cbr\u003e\n3.5-type monitor with 4-axis multi-angle design\u003cbr\u003e\nThe 3.5-type 16:9 aspect monitor tilts 98° up, 40° down and 180° sideways, and rotates up to 270° when open30. A highbrightness panel with 15 brightness settings, fine control of image inversion display, and neatly organized on-screen shooting information all help make monitoring clearer and more flexible on set.\u003cbr\u003e\nMovie-first menus and controls\u003cbr\u003e\nFrom menu settings to the CineAlta-style multi-function dial, the FX5 is designed around movie production. Frequently used controls are concentrated around the grip and top panel, and the multi-function dial supports both rotational and push operation for faster access to key settings during a shoot.\u003cbr\u003e\nClear tally visibility\u003cbr\u003e\nConfigurable front and rear tally lamps make REC\/STANDBY status easier to see, and a red frame can also be shown on the monitor during recording. This helps you confirm recording status at a glance, even when a rig or gimbal makes the screen harder to view directly.\u003cbr\u003e\nDurable, sealed body design\u003cbr\u003e\nRefinements throughout maximize dust and moisture resistance for high reliability in demanding conditions31. Sealing is used at exterior joints and around the battery cover to help prevent moisture and dust ingress, and the cooling fan is housed in a separate chamber for added protection.\u003cbr\u003e\nFlexible mounting points32\u003cbr\u003e\nFive screw holes for accessory mounting are provided around the body, with two more on the bottom for tripod mounting. The result is a body that is easier to rig and expand directly with essential accessories.\u003cbr\u003e\nFlexible monitoring, power and timecode connections\u003cbr\u003e\nThe HDMI Type A output port supports flexible external monitoring, with the option to display shooting information on both the camera LCD and an external monitor, or separate status information from the image output. Dual USB Type-C® ports support power delivery and timecode input via an optional adapter cable.33\u003cbr\u003e\nWired and wireless LAN connectivity for remote workflows\u003cbr\u003e\nHigh-speed wired LAN and built-in Wi-Fi 802.11ax with 2×2 MIMO on 6 \/ 5 \/ 2.4 GHz bands34 support smoother remote control, file transfer and connected production workflows. Wired LAN support for 2.5GBASE-T, 1000BASE-T and 100BASE-TX also helps the FX5 slot more easily into modern multi-device and networked productions.\u003cbr\u003e\nMonitor \u0026amp; Control for remote operation from mobile devices\u003cbr\u003e\nMonitor \u0026amp; Control35 enables wired or wireless monitoring and operation of multiple cameras via a smartphone, tablet, or Mac*36. Precise exposure tools and simultaneous control of settings support more efficient reduced-crew workflows.\u003cbr\u003e\nCatalyst Prepare and Catalyst Prepare Plugin\u003cbr\u003e\nShot review and correction37. They provide format support, including X-OCN LT\/C1\/C2, along with key features such as stabilization, lens breathing compensation, color\/LUT tools and transcoded export.\u003cbr\u003e\nAccessibility features for more creators\u003cbr\u003e\nScreen reader38 support, a menu magnifier, and other accessibility aids help make the FX5 easier to use for more creators. The lens mount index, multi-function dial, and buttons are designed so they can be easily located by touch, supporting more confident operation.\u003cbr\u003e\nPlanned postlaunch support\u003cbr\u003e\nHFR shooting up to 240 fps in X-OCN, XAVC S‑I recording in 3:2 aspect ratio with full-sensor readout, an optimized user interface for vertical shooting, and a frame grab function are planned to be available August 2027 or later, via firmware update.5\u003cbr\u003e\nFootnotes\u003cbr\u003e\n1 Available subject settings are: Human, Animal\/Bird, Animal, Bird. Subject types other than the specified type may be erroneously recognized in some cases.\u003cbr\u003e\n2 Open Gate recording is only available for X-OCN recording.\u003cbr\u003e\n3 With Dual Gain Shooting, frame rates up to 30 fps are supported for FF 5K 3:2, and up to 60 fps for FF 5K 16:9\/17:9.\u003cbr\u003e\n4 As of the July 2026 product announcement. Survey of Sony digital cameras.\u003cbr\u003e\n5 Sony Cinema Line FX5 to support 5K (3:2) X-OCN 120 fps and 4K240p recording via firmware update, planned to be available August 2027 or later.\u003cbr\u003e\n6 For X-OCN details, see\u003cbr\u003e\n7 Lens distortion correction is not applied to X-OCN clips recorded in-camera. When using Sony or licensed partner E-mount lenses, lens distortion correction can be applied in Catalyst Browse, Catalyst Prepare, or Catalyst Prepare Plugin using embedded lens metadata. Clip preview support for lens distortion correction will be added in a future update. For licensed partner information, see\u003cbr\u003e\n8 During shooting, lens distortion correction is applied to the image displayed on the camera’s LCD monitor and to the video output via HDMI. However, lens distortion correction is not reflected during clip preview. As a result, the appearance of distortion may differ between shooting and clip preview ILME-FX5B\/FX5 Product Information Document 10\u003cbr\u003e\n9 Manual Base ISO selection is supported only in Cine EI and Flexible ISO modes. In Cine EI Quick mode, the optimal Base ISO is selected automatically according to the exposure Index setting.\u003cbr\u003e\n10 Based on Sony tests when shooting in S-Log 3.\u003cbr\u003e\n11 Maximum gain is 18 dB (equivalent). Availability will depend on recording settings.\u003cbr\u003e\n12 When recording X-OCN (C2) to a CFexpress Type A memory card.\u003cbr\u003e\n13 Actual number of points varies according to shooting mode.\u003cbr\u003e\n14 X-OCN recording is only available in Cine-EI mode.\u003cbr\u003e\n15 17 and 33 point CUBE (.cube) files are supported.\u003cbr\u003e\n16 Compared to the FX3.\u003cbr\u003e\n17 In Dynamic active Mode, angle of view is reduced more than in Active Mode, and Clear Image Zoom is not available. Dynamic active Mode is available up to 60 fps, and Active Mode is available up to 120 fps. The maximum gain in Dynamic active Mode is 26 dB. Depending on the codec and frame-rate settings, Dynamic active Mode may not be available. For details, see the Help Guide\u003cbr\u003e\n18 For the latest information on post-production tools, see\u003cbr\u003e\n19 The XLR-H1 Handle Unit is not supported; use the XLR-H2 Handle Unit included with the camera (ILME-FX5) or sold separately. A microphone is not included with the XLR-H2 Handle Unit. This unit is not compatible with the ILME-FX3, ILME-FX3A, ILME-FX30, or ILME-FX2, and cannot be used simultaneously with the OLED viewfinder. For compatible microphones, see\u003cbr\u003e\n20 The OLED viewfinder unit cannot be used simultaneously with accessories that require the Multi Interface (MI) Shoe™.\u003cbr\u003e\n21 Focus Map and False Color cannot be displayed simultaneously.\u003cbr\u003e\n22 [Smooth Priority] mode does not support prime lenses and some zoom lenses.\u003cbr\u003e\n23 When shooting in HD.\u003cbr\u003e\n24 CFexpress 4 memory cards are not supported. If a CFexpress 4 card is inserted, it will be recognised and treated as a CFexpress 2 card. CFexpress Type B memory cards are not supported.\u003cbr\u003e\n25\u003cbr\u003e\n26 Approximate continuous recording time using the LCD monitor with a fully charged battery pack. Actual performance may vary depending on usage conditions. Measured under factory default settings at the time of purchase, at 25 °C (77 °F), using Sony CFexpress Type A memory cards and an FE 28-70mm F3.5-5.6 OSS II lens (both sold separately). Video recording time is based on CIPA standards, with video quality set to XAVC S-L 4:2:2 FF 5K 16:9 23.98p, and no operations other than starting and stopping recording.\u003cbr\u003e\n27 Single-battery charging requires a USB PD power supply and USB Type-C cable that are both rated at 27 W or higher. Charging time to full for a single battery is about 85 minutes. Charge time may vary according to usage conditions. Actual performance varies based on settings, environmental conditions, storage, and usage. Batteries capacity degrades over time as they age. Sony does not guarantee the life span of the battery.\u003cbr\u003e\n28 USB power adaptor and cable are not supplied. Single-battery charging requires a USB PD power supply and USB cable that are both rated at 27 W or higher.\u003cbr\u003e\n29 When using the LCD monitor under CIPA standard conditions.\u003cbr\u003e\n30 Monitor rotation angle may be limited when cables are connected to the camera. Do not use excessive force when opening or rotating the monitor.\u003cbr\u003e\n31 Not guaranteed to be 100% dust and moisture proof.\u003cbr\u003e\n32 Accessory screw holes are 1\/4-20 UNC standard. Use screws with a maximum length of 5.5 mm.\u003cbr\u003e\n33 TC-IN is supported via USB PORT 2 only. For Timecode Adapter Cable details, see: PORT 1 supports SuperSpeed USB 10Gbps. PORT 2 provides Hi-Speed USB 480Mbps (USB 2.0) data transfer when connected to a computer.\u003cbr\u003e\n34 5 GHz \/ 6 GHz communication may be restricted in some countries and regions.\u003cbr\u003e\n35 For further details and to download Monitor \u0026amp; Control, see: download app at Google Play and the App Store. Network services, content, and operating system and software subject to terms and conditions and may be changed, interrupted or discontinued at any time and may require fees, registration and credit card information.\u003cbr\u003e\n36 Mac and macOS are registered trademarks of Apple Inc. in the United States and other countries.\u003cbr\u003e\n37 For further details and to download Catalyst, see\u003cbr\u003e\n38 Availability varies depending on region and language.\u003cbr\u003e\n39 With a 50 mm lens at infinity, -1 m-1\u003cbr\u003e\n40 At maximum fan speed. Compared to the FX3\u003cbr\u003e\nRead More\u003cbr\u003e\nCalifornia customers\u003cbr\u003e\nProposition 65 WARNING\u003cbr\u003e\nWARNING: Cancer and Reproductive Harm\u003c\/p\u003e\n\n\n\u003cp\u003eSpecifications\u003cbr\u003e\nGeneral\u003cbr\u003e\nColor\u003cbr\u003e\nGray\u003cbr\u003e\nType\u003cbr\u003e\nCinema Camera\u003cbr\u003e\nDust Resistant\u003cbr\u003e\nYes\u003cbr\u003e\nSplash Resistant\u003cbr\u003e\nNo\u003cbr\u003e\nCamera Format\u003cbr\u003e\nFull Frame\u003cbr\u003e\nOperating Temperature\u003cbr\u003e\n0 - 40 ℃ \/ 32 - 104 °F\u003cbr\u003e\nIn the Box\u003cbr\u003e\nRechargeable Battery NP-SA100, Battery Charger BC-SAD1, Body Cap, Accessory Shoe Cap, VF Terminal Protection Cap, XLR Handle Unit, Handle Shoe Cap, Accessory Shoe Kit\u003cbr\u003e\nBody \u0026amp; Lens\u003cbr\u003e\nNo\u003cbr\u003e\nHot Shoe\u003cbr\u003e\nYes\u003cbr\u003e\nDual Card Slots\u003cbr\u003e\nYes\u003cbr\u003e\nMic Input\u003cbr\u003e\nYes\u003cbr\u003e\nHeadphones Out\u003cbr\u003e\nYes\u003cbr\u003e\nSwivel\/Tilt Screen\u003cbr\u003e\nYes\u003cbr\u003e\nCamera Body\u003cbr\u003e\nVideo Resolution\u003cbr\u003e\n4K\u003cbr\u003e\nLCD Screen Size (in)\u003cbr\u003e\n8.8cm\u003cbr\u003e\nZoom Type\u003cbr\u003e\nApprox. 1.5x (4K), Approx. 2x (HD)\u003cbr\u003e\nLive Streaming Ready\u003cbr\u003e\nNo\u003cbr\u003e\nHDMI\u003cbr\u003e\nYes (HDMI-A)\u003cbr\u003e\nRecords Video\u003cbr\u003e\nYes\u003cbr\u003e\nRecords HD Video\u003cbr\u003e\nYes\u003cbr\u003e\nImage Sensor Type\u003cbr\u003e\nFull-Frame Exmor RS CMOS\u003cbr\u003e\nTouch Screen\u003cbr\u003e\nYes\u003cbr\u003e\nVarying Angle Screen\u003cbr\u003e\nYes\u003cbr\u003e\nScreen Resolution\u003cbr\u003e\n2764800 dots\u003cbr\u003e\nConnectivity\u003cbr\u003e\nBluetooth, HDMI-A, Wi-FI\u003cbr\u003e\nGPS\u003cbr\u003e\nNo\u003cbr\u003e\nMaximum Resolution\u003cbr\u003e\n4K\u003cbr\u003e\nISO Sensitivity\u003cbr\u003e\nISO 320 - 409600 equivalent, AUTO (ISO 320 - 409600, selectable upper limit)\u003cbr\u003e\nMovie File Format\u003cbr\u003e\nMPEG-4 AVC\/H.264, MPEG-H HEVC\/H.265 [[F_DX0071]]\u003cbr\u003e\nExternal Flash Connection\u003cbr\u003e\nHot shoe\u003cbr\u003e\nAutofocus System\u003cbr\u003e\nFast Hybrid AF (phase-detection AF \/ contrast-detection AF)\u003cbr\u003e\nMovie Audio Recording Format\u003cbr\u003e\nAAC-LC 2ch (16bit 48 kHz)\u003cbr\u003e\nBluetooth\u003cbr\u003e\nYes\u003cbr\u003e\nBattery Life (Approximately)\u003cbr\u003e\nApprox. 105 min (LCD monitor) (CIPA standard) *Indication recording time, which is defined by repeating the cycle: Power on, start recording, zoom , stand-by and power off.\u003cbr\u003e\nWi-Fi\u003cbr\u003e\nYes\u003cbr\u003e\nImage Processor\u003cbr\u003e\nBIONZ XR2\u003cbr\u003e\nBuilt-In Flash\u003cbr\u003e\nNo\u003cbr\u003e\nSensor Size\u003cbr\u003e\nFull Frame\u003cbr\u003e\nFocus Modes\u003cbr\u003e\nFast Hybrid AF (phase-detection AF \/ contrast-detection AF)\u003cbr\u003e\nLCD Type\u003cbr\u003e\nTFT LCD\u003cbr\u003e\nShutter Speed\u003cbr\u003e\nMovies: 64 F to 1\/8000 s\u003cbr\u003e\nMemory Type\u003cbr\u003e\nSDXC, CF Express Type A\u003cbr\u003e\nStorage Media\u003cbr\u003e\nSDXC (UHS-I\/II compliant) memory card \/ CFexpress 2 Type A card\u003cbr\u003e\nCamera Lens\u003cbr\u003e\nLens Mount\u003cbr\u003e\nE-mount\u003cbr\u003e\nImage Stabilization\u003cbr\u003e\nMovie: Dynamic active \/ Active \/ Standard \/ Off\u003cbr\u003e\nWarranty Information\u003cbr\u003e\nLabor Warranty\u003cbr\u003e\n1 Year\u003cbr\u003e\nParts Warranty\u003cbr\u003e\n1 Year\u003cbr\u003e\nApproximate Weight\u003cbr\u003e\nUnit Weight (lbs.)\u003cbr\u003e\n2.68\u003cbr\u003e\nPackage Weight (lbs)\u003cbr\u003e\n2\u003cbr\u003e\nApproximate Dimensions\u003cbr\u003e\nHeight (in)\u003cbr\u003e\n3.11\u003cbr\u003e\nWidth (in)\u003cbr\u003e\n5.2\u003cbr\u003e\nDepth (in)\u003cbr\u003e\n3.43\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":52451960586535,"sku":"ILMEFX5","price":2749.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0992\/2383\/0823\/files\/sony-camera-ILMEFX5.jpg?v=1793035738","url":"https:\/\/eikoai.shop\/products\/sony-cinema-line-fx5-full-frame-cinema-camera-with-xlr-handle-unit-ilmefx5-247106","provider":"EIKOAI","version":"1.0","type":"link"}